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Biblioteca de mi casa (Biblioteca de casa meva)

Biblioteca de mi casa (Biblioteca de casa meva)

Walter Benjamin, Nathanael Araujo

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Stories of two book collectors. These collectors likely organize their books in a traditional manner, horizontally and not stacked, nestled side by side so the paper fibers don’t wrinkle. They are thinkers, and they know every book they own. Both of them frequently move, fleeing from something, searching for something, hiding from something. Books are harder to move than furniture or clothes: they require care, cannot get wet, cannot be bent. If too many are packed together, they become heavy and take up space. Editions run out, they aren’t replicated, and if you don’t organize them well in boxes, you have to reconstruct the entire logic and dialogue.

Each of these two thinkers belongs to a different time and diaspora. In Walter Benjamin's time, a book could float in water for days without falling apart, though it would yellow and stain. It was an object made to last. The letters engraved with typesetting, the labor of composing text, letter by letter, forming words, sentences, paragraphs, and finally a page. This solidity faded, giving way to what we know today: cheap labor, massive machines printing thousands of books at once, stockpiles filling large warehouses, and cheap paper that lasts little. The weight, thickness, and value of books diminished. Libraries shrank, just like our homes and our time to read.

Many have written about the love of libraries, the soft breeze when smelling a new book, the poetry of finding a rarity on a bookstore shelf. But right now, I see little romanticism. Nathanael Araujo’s essay is a living reflection of the lack of rigor in these fragile objects since their diaspora.

Technical Details
Year: 2023
Language: Spanish / Catalan
Format: 24x17 cm
Type: Softcover
Includes annexes
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This product is designed and sold by — No Libros

Country — Spain

Shipping information — Spain: 3,50€

About — We are an independent publishing house that was born in 2018 in Barcelona. No Libros is a reflection on the excess and overproduction of books and texts, the saturation of publications that has occurred in the last decade. It reflects on quality, the current need to produce more, and the advocacy for sharing, recycling, quoting, duplicating, imitating, pirating, and hacking. In the face of large bookstore chains, distributors that increasingly demand higher percentages, print-on-demand (PoD), poet robots, Amazon Mechanical Turk, ChatGPT, the precarity of the market, and interconnected systems that make designers, typographers, publishers, or even writers less necessary, experimental publications, amateur graphics, the supply of paper, and the rescue of artisanal printing processes are gaining importance. No Libros is a slow, tired publishing house, doing the best it can. Our project is collaborative. We seek original, critical content that pushes the boundaries of text and image, resulting in unique works, primarily from Latin authors.

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