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Día-horario-mes-año

Día-horario-mes-año

In stock

€55,00 EUR
€55,00 EUR
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The book presents a series of photographs from 2011 directly related to my fascination and interest in the light effects found in the world, in a way it is a visual log that tries to show the way in which I observe and perceive the world around me.

The idea of the book comes after a considera- ble grouping of LUX photographs which had no order whatsoever.
Technique: HP Indigo printing (CMYK + white ink), hand-drawn single copy. Sumi-e 80 g/m2 paper, acid- free, age-resistant. Stitch binding.

Dimensions: 14 × 21 cm.
Year of publication: 1st ed. 2022 / 2nd ed. 2023 /
3rd ed. 2024
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This product is designed and sold by — Carla Gasparrini

Country — Spain

Shipping information — Spain (Península): 9€ — Spain (Balearic Islands): 16€ — Spain (Canary Islands): 20€ — Europe: 25€ — Rest of the World: 30€

About — From a young age, Carla developed an interest in the visual arts, attending workshops with Daniel FUSro and Viviana Zargón. Between 2014 and 2018, she trained with Argentine artist Lucas Rocino, focusing on drawing and line work. In 2016, she began a Visual Arts degree at the National University of the Arts (Buenos Aires, Argentina), and from 2020, studied for a year and a half on a scholarship at the University of Vigo (Spain). In 2021, she was accepted into the ELISAVA Summer University for experimental editorial design and received a scholarship for the Pigments Revealed Symposium in the US. She also directed "Espazos Cóncavos y Convexos" and created "Hablemos de Arte", an online platform for interviews with key figures in art and culture. In 2022, she completed her studies and joined the "Instantes Gráficos" collective, participating in ArtsLibris and ARCO Madrid 2023. In 2023, she coordinated exhibitors at ArtsLibris and won the Javier Rosón Pérez Special Prize for Artist Books of Ankara Foundation, based in Madrid, Spain. Her work connects deeply with her daily life, memory, and perception of the world. The book as a medium has allowed her to unite her lifelong interests in art and design, giving her freedom to experiment with materials. Like Ulises Carrión, she views the book as a sequence of temporal spaces, adapting form and materials to each project. Her artistic journey is ongoing, evolving with each step forward. Her work has been exhibited in Argentina, Brazil, the US, Spain, and Portugal.

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