Interterror

Federal Blue
Bright Red
Yellow
Print in risograph
140 x 200 mm
Cover: stencil
Binding: singer

Now, Héctor Hugo Navarro rescues the history of the Valencian punk group to certify the existence of underground currents in the official culture of the time. In 1983, the same year that Interterrors today-listed single appeared, La noche es no para mí, by the techno-pop group Vdeo, achieved the first gold record in the history of local pop. The official musical discourse was marked by a synthesized sound that was associated with modernity and represented by bands like themselves, Glamor or the Betty Troupe. But in the underground things happened. Some of the boys in leather jackets and Dr. Martens boots had also snatched up instruments and were taking out their frustration by writing songs. They were confused adolescents, who declared themselves attracted to anarchist ideology, but at the same time showed a fascination for the warlike iconography of the Third Reich. This book portrays them with all their contradictions, contextualizing a kamikaze adventure hopelessly destined to fail in a gray Spain, without alternatives, which adds important sociological value to the story and places the fundamental role played in history by drugs, violence and the nocturnal geography of a city that was still on the way to finding itself.