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MADE Fig. 1

MADE Fig. 1

Robert Evans

46 in stock

Regular price €15,00 EUR
Regular price Sale price €15,00 EUR
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Portugal: €2,50 per item — Europe: €7,60 per item — Rest of the world: €10,42 per item

I do a lot of my “sketching” and thinking on my iPad. It allows me to have thousands of sketchbook pages and reference material with me wherever I am. It’s runs counter to my love of the physical world but it is an amazing tool. I take some of my “digital sketchbook” pages and lay them out as a zine that I have printed. Then I’ll use them as notepads or embellish them with hand drawn images, glued on ephemera, quotes, thoughts, or other items I’ve collected. Each zine is a limited edition artifact—digital thoughts transformed into a tangible, one-of-a-kind object. Ready to own a piece of this analog-digital art journey? Grab your unique copy today, and experience these sketches and ideas in a way that can't be scrolled past or swiped away.

MADE Fig.1
Limited Edition of 50
Each one customized and addressed to recipient
24 pages
17 × 25cm
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This product is designed and sold by — Evans Made

Country — Portugal

Shipping information — Portugal: €2,50 per item — Europe: €7,60 per item — Rest of the world: €10,42 per item

About — Award-winning visual artist seeking solace in fine art. Limited edition prints, original paintings, and of course, Zines.

From an early age, my hands were never idle. As the son of an engineer with access to a basement workshop capable of producing everything from throwing stars to rehabbed Jeep transmissions, I grew up disassembling, reassembling, and creating. While other kids abandoned their sketchbooks for textbooks, I found ways to merge the two—even passing algebra by designing pro-algebra propaganda posters.

My professional path followed the common route of artists looking to make a living, by going to school for graphic design. After graduating Flagler College with a B.A. in design and a minor in surfing, I spent 20+ years building award-winning advertising work or a wide range of clients. But despite the digital precision and control of pixels, I've always been drawn back to the unpredictable nature of physical creation. There's something both terrifying and liberating about working with paint instead of pixels—the lack of control, the permanence of each stroke, and most importantly the tangible result.

After decades of helping others take creative risks, I’ve returned to my roots in fine art—a necessary daily practice of making physical things with my hands. My work invites viewers to see the world as I do - where everyday objects like motors or pocket knives reveal their complex poetry. Or where the simplicity of vintage illustrations is reimagined and elevated beyond nostalgia into contemporary relevance. I create art that I want to live with, pieces that tell stories and connect to the past, when people made and repaired their own stuff in basements and garages.

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