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Queer Materials #2 "DEAR INKY"

Queer Materials #2 "DEAR INKY"

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The second issue in the Queer Materials series focused titled "Dear Inky," and reproducing the letters that JoAnn F. Weldon wrote to her word processor in 1997 from Davenport, Iowa. From the title page: Queer Materials is an invitation to experience a snippet of LGBTQ archival materials found in the state of Iowa. Curated from archives throughout the state, the goal of Queer Materials is to place a folder of archival materials into the hands of those who care to learn, know , and hold onto Iowa's queer past. We believe access and use of archival materials is a primary way to find evidence of the minutiae of queer life in Iowa and the truth that our community has always existed in this place. We encourage you to visit the broader collection(s) these materials are reproduced from to sift through our shared history.

By Aiden M. Bettine
May 2022
Pages: 12
Dimensions: 9x12"
Cover: manilla folder with tab
Binding: staple-bound
Process: photocopied
Color: black and white
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This product is designed and sold by — Late night copies

Country — United States

Shipping information — US: 6 USD

About — 1. More queer voices merit publishing than get published. 2. Queer storytelling is intergenerational memory. 3. In telling history, place is as important as time. 4. Photocopiers are a powerful and practical tool for DIY publishing. 5. Own the means of production and share it. 6. No publication is too short. Scope Note: We publish non-fiction, erotica, and informal research-based writing. We are interested in local queer history, community libraries, community archives, queer archival collections, queer textiles, arts organizing, oral history, local walking tours, queer place/space, overlooked stories, DIY culture, queer correspondence, the obscene, and the absurd. Publications can take many formats, not limited to zines, pamphlets, and facsimiles using typewriters, photocopiers, and ephemeral inclusions. We are not a literary press or a comics publisher; poetry, fiction, and graphic narrative fall out of our scope.

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