The Drawn Out Moment

"Over the past several years, I have been trying to break the boundaries between photography and painting; to tear down the dated, stale wall in-between them. In a more precise way, Im straddling the borderline between them, trying to keep my balance as if I were a tightrope walker on a wire, leaning neither to one side nor to the other side; neither towards photography, nor towards painting. This is the means by which I keep alert to my process, and calm when dealing with things around me; the means by which I dont lose my way but stay on track, and enrich the work I do. Its like being on the edge of a river, where nutrients are the most abundant and the conditions for growth more fertile than elsewhere.

My work has become increasingly without a unifying theme in recent years. In the face of reality, to place too much emphasis upon a single theme is self-defeating. Artworks without an obvious theme are imbued with a purer and more profound aura. I take photos of a meadow, a pile of rocks, or trees in a forest, filling up the entire frame with them. When you look at the pictures, they are like the face of your spouse that youve never looked at in such detail: familiar yet strange and somehow touching. Next, I paint over the photos, tracing the familiar outlines of all those objects slowly and carefully with my brush, with a layer of color that is perfectly logical.

When the painting process is completed, and when you look at my black-and-white photograph, you will be wondering if is it still the same forest that I photographed. The image will seem so Maybe this uncertainty is the meaning of art that we search for. It is what I have been pushing towards in creating on the borderline between photography and painting."

Shi Guowei

Size: 217*285*10mm
Binding: sewn perfect binding, hardcover with a jacket